Title: Interviewing the director of the hunt down Christmas Carol by Charles the Tempter\n\nQuestions:\n\nWhat were your primary feelings while you arranged the Christmas Carol?\n\nHave you added a pinch of drama to the master(prenominal) lineament Ebenezer Scrooge to tincture the audience?\n\nWhat was the almost feature scene that characterized Dickenss attitude towards human egoism and greed?\n\n In your opinion, is it a book, a pushover, or 3D film version that stands a chance to impress the teen viewers most?\n\nWhich character of the play was the most hard to cope with?\n\nWhile the 3D implies special effects, what are the main features of your play that are certain to convince the spectators?\n\nDo you tot up that the wisdom of Christmas Carol is every bit important for children and adults?\n\nDo you deem people are fitted to change, even such of them as Ebenezer Scrooge, over time?\n\nDo you agree that this and other stories by Charles Dickens are everlasting and their timelessness is what we value most?\n\nAs a director, go forth you further stage the stories by Charles Dickens?\n\nAre in that respect any(prenominal) stage similarities amongst Christmas Carol and Oliver Twist, for example?\n\nWhat other plays, in your opinion, would be so warmly perceived by the public?\n\nWhere exactly was the play welcomed with the most warmth and range?\n\nDo you think any movie-stars can possibly move in Christmas Carol theatrical production in the future?\n\nHas the coetaneous consumer society much in common with Ebenezer Scrooge?If you pauperization to get a all-inclusive essay, order it on our website:
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