The title of the novel describes the goal for the girl, and the irony is that she comes to believe she has achieved this goal through a trickery created when she is raped by her father. The idea of the bluest eye was always a false goal, one(a) that non only could not be achieved but that would not provide the change in personality and lifestyle that Pecola believes would come. Others in the novel are also deluded by the identical delusion, of course, notably those who make fun of her for being dark and who flaunt their aver lightness as proof of their superiority. Her mother has the same delusion but seeks solace and power in her religion. Her father, on the other hand, lives every stereotype about the evil of blackness and so expresses his own self-hatred through anger, violence, and rituals of evil.
The opening of the novel presents the themes of the curb immediately. The first separate is repeated three time
s, but each time it has a different characteristic and a different symbolic meaning. The first paragraph is written as if by a child with ele moral descriptions of a house and its inhabitants. The tone is that of a first roll reader, with the reference to Dick and Jane and their parents and with Jane runawaying with her cat and dog: "Play, Jane, play" (Morrison 7). The meaning is simple and direct, reminding us of a happy American family. The second paragraph repeats the first without punctuation and runs the spoken communication in concert as if in a frenzy. The meaning is distorted, seen through the eyes of a person on the edge of sanity, a deplorable image created with the precise same words that created the seemingly self-possessed and commonplace image of the first paragraph.
The third paragraph repeats the same words with no punctuation and with no spaces between words so that the frenzy reaches hysterical proportions.
This is the image that develops into the story of the Breedlove family and the mental deterioration of Pecola Breedlove. Color is important in this society, the color of one's skin, and Morrison makes immobile use of color throughout this novel, beginning with the green and etiolate house of Dick and Jane and the red dress worn by Jane. Immediately, the Breedlove family is presented as a distortion of the image of the American family:
unalike colorise are associated with beauty, and white is the color that has the most to do with beauty because it is seen as pure, undiluted by tints, while black is seen as the opposite, as a mixture of all colors so that none emerge. Of course, the title as well contains a color reference, the blue eyes of white society, the image of beauty as descending on the blue-eyed, blond-haired white girl that Pecola can never become but that she dreams she can and feels she must:
heartsease as it's kept, there were no marigolds in the fall of 1941. We thought, at the time, that it was because Pecola was having her father's baby tha
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