While Khaled and Said are at work they study a confrontation with an unhappy client that results in Khaleds job being terminated. Before the oddment of their workday Said meets a young woman by the name of Suha, who is also the daughter of an Islamic revolutionary. There is near foreshadowing of Suha possibly becoming a romantic come to of Said. As Said is on his way home he encounters Jamal, who is a teacher and a member of an unnamed Palestinian resistance force. He informs Said that he and Khaled have been chosen to become Martyrs together in accordance with their wishes. Their final iniquity is to be spent with their families.
The two men are commensurate to contemplate their fates. As the plastic film goes on, it is discovered that Saids father was a collaborator with the Israelis and he was executed. There is a moment in the movie when Saids render tells her son that he looks just like his father.
This prompts Said to have a conversation with his mother about the kind of man that his father was. In the middle of the night Said goes to the domicile of Suha to return her keys to her because he knows that the next day will be his last. The coupling of these things forces Said to wonder whether or not what he is doing is the right thing to do. The next day the young men arrive at a compound where they are cleansed, polish off a last meal and make Martyr videos.
The movie Paradise Now acted as a supplement to the coterie material and the coupling of the two aided in a deeper understanding. For example, the literature always vilifies the Arab suicide bomber. It gives the misconception that the bomber is just nuisance and demonic. In contrast, the...If you want to get a full essay, hunting lodge it on our website: Orderessay
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