Augusto Boal, theatre innovator, viewed Aristotelian or traditional theatre as burdensomeness and domination. You were either an actor, who had your character and their actions imposed upon you by a director, the despotic dictator of theatre, or you were a spectator, passively watching the spectacle onstage that would very often have nothing to do with your life. finished his various forms of TO, Boal was able to turn the earreach of spectators into spect-actors, protagonists, lively participants. At the beginning of his theatrical performance career, Boal sought to change the manner in which traditional theatre was interpreted and performed. However, he soon began to look into with theatre as a tool of revolution in his native country of Brazil, where people were often very poor, down-trodden and could mark off no carriage of changing their situation. Boal helped these oppressed people to control that they could change their circumstances and also how to change them through his theatrical workshops with the oppressed.
In Forum Theatre, a scripted scene of a particular proposition oppression is presented to an audience, who after watching the play the whole way through once, watch it again, this time, however they are, as you will be, allowed to send for STOP to halt the action, enter the scene as adept of the characters, and try to break the oppression - change the situation from oppression as it is to the world as it could be with the oppression broken. When an audience member enters the scene every actor heightens the oppression, trying to take up the scene back to its original conclusion. This continues many times, until a closing is reached, or all possibilities exhausted, or time runs out, etc. The gravel of Forum Theatre is not to win, but to stimulate countersign and analysis of the situation and solutions by the...
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