Analysis of Vertovs Film In the clown players 1991 film The Drug video, the art of cinema verite is interpret to heights of realism not absorbn since Roberto Rosselinnis triumphant Rome, exposed City. By combining realistic settings, lighting, sound, etc. with keenly observant tv camera placement, the filmakers draw us into a institution very few of us ever actually turn back outside the comforts of a theater. Dziga Vetov, in his essays on the temper of man as seen through the Kino-Eye, touched upon something that the makers of The Drug sacred scripture picture are obviously very aware of.
That is, the camera, more than so than anything human, will see to the core of its t ar ride. beyond the actors, beyond the sets and particular effects, is the soul of the film. If the emotion is pure and the situations genuine, than the camera is but a window to the truth. The Clown Players have crafted a finely nuanced example of this cinematic honestness with The Drug Movie. The films opening is shock an...If you want to get a full essay, order it on our website:
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