The West as a wild and untamed frontier

The West as a wild and untamed spring is now a thing of the past, and we are left just now with the imagery of those who were t hither to chronicle it as it was. catamount and cutter Frederic Remington was iodin of those chroniclers, and is considered by many to be one of the best. In his brief career as a western sandwich artist, which began near 1885 and culminationed with his untimely death in 1909, Remington left a number of messages about the West in his work, alone here we will deal with three major themes. First, that the West was a place of jeopardy and violence; second, that Remington honestly depicted more(prenominal) than than just the White, European presence in the West; and third, that toward the end up of his career, Remington began to each(prenominal)ude to the closing of the West as a frontier. While a number of Remingtons works are serene, and depict the everyday life sentence of the West, in many of his works there is an element of risk of exposur e and even violence; his work persistently puts off tout ensemble hints of prettiness in favor of violence, writes Vorpahl.1 This theme is already overhear in Remingtons earliest works. The Apaches Are Coming2 from 1885 is a good ex immense, where a frantic vaquero stops his supply briefly to tell a group of homesteaders of the impending danger.

In the apparently defenseless homesteaders faces can be seen both caution and hopelessness. The theme of danger and violence is the central characteristic of appall on the Supply Train3 also from 1885. here a group is seen defending their supply wagons from an unseen danger, but one that is quite obviously Indians, in that arrows can be seen lodged in the wagons. Throughout the wo! rk can be seen the hopelessness of trying not only... If you want to get a ample essay, order it on our website: OrderEssay.net

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